Dan Da Dan announces new voice actors for a beloved character as the season progresses, and Perfect Blue will premiere in theatres with a 4K restoration this October.

GKIDS Industry Panel News at Anime NYC

As Dan Da Dan reaches its second half, a new teaser has been released featuring the debut of the beloved gentleman character, Kinta Sakata. Bryce Papenbrook, known for his work as Eren Yeager in Attack on Titan, Inosuke Hashibira in Demon Slayer,and Rin Okumura in Blue Exorcist, has been revealed as the English voice actor for Kinta.

Daichi Fujiwara has been simultaneously announced as the original Japanese language Seiyu.    

During the remainder of the season, fans can look forward to an enticing final few episodes centered around an oncoming kaiju battle, and added romantic tensions to Momo and Okarun’s circle. There is also a thrilling classical music battle between Okarun and Aira vs the classical composers lurking in the school’s music room, for which the production was detailed in full during the Dan Da Dan panel at Anime NYC.

The occult genre hit anime streams globally on ADN, Crunchyroll, Hulu, Muse, Netflix, and more. The original manga series recently crossed a milestone of 10 million in sales, more than doubling its circulation following the successful debut of the anime adaptation of the series.

About Dandadan

Dan Da Dan is a tv anime adaptation of author Yukinobu Tatsu’s manga by the same name, currently serialized by Shonen Jump Plus by SHUEISHA under Shonen Jump Imprint. Mangaka Tatsu previously worked as an assistant to Chainsaw Man and Fire Punch creator Tatsuki Fujimoto, and to Hell’s Paradise: Jigokuraku creator Yuji Kaku.

The production is done by acclaimed animation studio Science SARU, and the second season is co-directed by Fuga Yamashiro and Abel Gongora, the latter whom directed the opening theme animation for the first season. The opening theme song “On The Way” is performed by JPop artist AiNA The END, and the ending theme song “Doukashiteru” is performed by JRock artist WurtS.

The English and Japanese Voice Cast includes:

  • Shion Wakayama (JP) / Abby Trott (EN) as “Momo”
  • Natsuki Hanae (JP) / AJ Beckles (EN) as “Okarun”
  • Nana Mizuki (JP) / Kari Wahlgren (EN) as “Seiko”
  • Ayane Sakura (JP) / Lisa Reimold (EN) as “Aira”
  • Kaito Ishikawa (JP) / Aleks Le (EN) as “Jiji”
  • Hiroyuki Yoshino (JP)/ Kevin Andrew Rivera (EN) as “Manjiro”
  • Daichi Fujiwara (JP)/ Bryce Papenbrook (EN) as “Kinta”
  • Mayumi Tanaka (JP) / Barbara Goodson (EN) as “Turbo Granny”
  • Tomokazu Seki (JP) as “Dover Demon”
  • Tomokazu Sugita (JP) as “Taro”
  • Fumi Hirano (JP) as “Hana”
  • Masako Isobe (JP) as “Naki Kito”
  • Mutsumi Tamura (JP) as “Evil Eye”
  • Naomi Ohzora (JP) as “Chiquitita”
Dan Da Dan Season 2 Key Visual

Dan Da Dan Staff for Season 2

Original Work: Yukinobu Tatsu | Serialized in “Shonen Jump Plus” BY SHUEISHA

Directors: Fuga Yamashiro, Abel Gongora

Script: Hiroshi Seko

Music: Kensuke Ushio

Character Design: Naoyuki Onda

Creature Design: Yoshimichi Kameda

Color Design: Satoshi Hashimoto, Makiho Kondo

Art Director: Junichi Higashi

Compositing Director: Kazuto Izumita

Editor: Kiyoshi Hirose

Sound Director: Eriko Kimura

Animation Production: Science SARU

Perfect Blue Comes to Theatres in October

GKIDS announced at their Anime NYC panel that they are bringing a new 4k restoration of the late director Satoshi Kon’s film Perfect Blue to cinemas nationwide starting October 3rd, 2025.

The legendary filmmaker Satoshi Kon is known for his previous thought-provoking works such as Paprika, Millennium Actress, and Tokyo Godfathers. Perfect Blue is a feature film that remains relevant to this day (and one of my personal favs from Satoshi Kon) in its juxtaposition of created identities and realities formed around living in the public eye vs our own inner worlds. 

About Perfect Blue

Perfect Blue follows former pop idol Mima Kirigoe as she makes a drastic transition into the acting world. The shift in public perception surrounding her identity creates internal controversy within herself, her fans, and even her manager as Kirigoe completes a disturbing assault scene in a drama and releases a provocative nude photo book in increasing efforts to distance herself from her former idol days.

In tribute to the psychological thriller genre, a stalker begins to follow Kirigoe, and the culmination of a sequence of deaths (a screenwriter first, and then a photographer) Kirigoe begins to question her sanity as she wonders if she murdered them. Kirigoe develops a split personality mirroring the character she portrays in the drama, and deals with this mental struggle for the duration of the film.

Will you be going to see Perfect Blue in theatres this October?

Note: The information above was sourced from a press release.

Leave your thoughts in the comment section below, we’d love to hear from you! Also be sure to follow us for more Anime NYC Convention News!   

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19 responses to “GKIDS Anime NYC Announcements for Dan Da Dan Voice Actors, Satoshi Kon’s Perfect Blue”

  1. That’s fantastic news about Perfect Blue returning to theaters. It’s my 2nd favorite Satoshi Kon film!

    1. Yes, isn’t it wonderful news? 😊
      What’s your first favorite Satoshi Kon film?

      1. Absolutely!

        If you’re curious, it’s Millennium Actress. Then again, I like his filmography in general.

      2. That’s a great film! I really enjoy his filmography as well 😊

      3. Thanks! What are your favorite anime works by him? He’s way more influential than people give credit for and some Hollywood movies literally wouldn’t exist without Kon such as Inception, Black Swan, and Requiem for a Dream.

      4. I agree. I didn’t know those Hollywood films were influenced by his work.
        My favorite anime work by him is Perfect Blue! 😊

      5. Sure thing. There are identical scenes from Paprika and Inception. I wish Christopher Nolan would credit him though. Darren Aronofsky bought the rights of Perfect Blue just so he can recreate the “girl screaming in a bathtub” scene for Requiem for a Dream. However, he based a lot of the plot of Black Swan on Perfect Blue, but with Ballerinas instead, and I wish he gave more recognition to Kon when that movie was released.

        Nothing wrong with having Perfect Blue as your favorite Kon film. That’s a masterpiece anyway!

      6. I remember seeing Paprika many years ago, but I never saw Inception because I heard bad things about it when it was in theatres and years later when it was on TV, I was just never interested based on things I heard from the past. I heard about Aronofsky recently on social media and Perfect Blue! People were talking about the GKIDs remasters and like you, mentioning all of the Western artists and creators who ripped off Satoshi Kon’s work without crediting him or even giving any sort of acknowledgement to the legendary filmmaker.

        It is 😊 I’ve been meaning to rewatch Satoshi Kon, and Makoto Shinkai’s films for the longest – maybe I’ll just go see Perfect Blue in theatres when its re-released. I also saw that GKIDs did a 4K restoration of Angel’s Egg. That film randomly popped up in my recommendeds via a short on YouTube before I got the press release for Perfect Blue, so I was surprised to see that film as well being redone. It looks really interesting.

      7. Gotcha. That’s good how you saw Paprika. You will definitely notice similar scenes and concepts even if the Inception characters are supposed to be thieves unlike Chiba/Paprika herself. Interesting how that discussion is happening about Perfect Blue and Satoshi Kon’s works. There have been articles for years about this and pictures with scene comparisons. If you see posts about stuff Hollywood stole from anime or, at the very least, Japanese works, it’s a given to see both Perfect Blue and Paprika there.

        Nice! I actually like older Shinkai films. The Place Promised In Our Early Days is my favorite film from that creator. Angel’s Egg FINALLY getting American distribution is amazing, and I’m sure their restoration job will be phenomenal.

      8. Wow, I really had no clue the theft ran that deep but considering how morally bankrupt and uncreative Hollywood is – it’s not surprising.

        I also saw people mentioning Disney’s Atlantis and linking it to an older Japanese anime on social media. I guess we’ll see more of that sort of exposing of these entities and corporations through independent media since people are so fed up with Hollywood and its media mouth-piece gatekeepers.

        I think The Place Promised In Our Early Days and Voices of a Distant Star are the only Shinkai films I haven’t seen yet. (My favorite work by him is Children Who Chase Lost Voices because of the inner earth/Agartha and Quetzalcoatl lore.)

        Yes, I agree. Although there have been some downsides to anime getting mainstream popularity, restorations of hidden gem classics is an extreme positive for the anime fandom in general.

      9. Yeah, its maddening, but not surprising.

        That series was Nadia, which was Hideaki Anno’s TV directorial debut back in the early ’90s. I saw it get more attention and being put on “anime Hollywood stole from lists”. We’ll see what happens, but I have also noticed some apathy or double standards with some fandoms.

        Is that so? Children Who Chase Lost Voices is a good movie, too. Funny enough, the name “Agartha” was used in Voices of a Distant Star since it’s the planet the main character goes to for the major battle near the end of that short. It’s also mind-blowing how Voices of a Distant Star was animated by Makoto Shinkai himself with only a MacBook back in the early 00s! There are two Japanese audio versions that involve professional voice actors and a director’s version where it’s Shinkai and his wife playing the characters.

        The restorations have been great when done well and get enough attention because I do worry about some series or movies being lost sometimes.

      10. I’ll have to look for one of those lists online, I’m really curious now haha. “Nadia” – I’m going to search for that anime, as well to look up.

        I heard that, 5 CM, and She and Her Cat were productions he created solo – if those rumors are true. That sounds cute that a version of Shinkai and his wife voicing the characters exists. I’m pretty sure all of his films are interlinked and related, or at least exist in the same universe. I remember reading something about the teacher from The Garden of Words being in Your Name, and the characters of Your Name being in Suzume? Or something to that effect.

        Well, they are always in a vault somewhere – so they’re never actually lost to time.

      11. Yup! I’m sure you can find random lists on different sites and even some YouTube videos.

        I know She and Her Cat for sure was a solo project, but I think 5CM may have been with a studio since that would’ve been after The Place Promised which was his first full-length movie in addition to having a full studio behind him. Good point about the linking of various films. The teacher from Garden of Words is the same one in Your Name even if its uncomfortable knowing how she got to Mizuha’s hometown. The main characters in Your Name were briefly in Weathering With You. I haven’t seen Suzume yet, so I couldn’t tell you anything.

      12. Yes, I am going to look for some.

        Oh, you’re probably right he most likely did have a studio at that time. Ah, that’s the one! I knew it was one of the two new films, haha 😅

      13. Hahaha! Nice!

        Yes, he started with full studio with The Place Promised and continued afterwards. Weathering With You was the one! Maybe Suzume has other Shinkai cameos.

      14. Maybe. If not now, probably in any other upcoming films he creates.

      15. Sure thing. I’ll have to watch Suzume to see if I notice any cameos or random Shinkai Easter Eggs. I could see this being a recurring trend much like how he uses distance (literal and metaphorical) in several of his works.

      16. Yeah, distance is a recurring theme, isn’t it? I wonder if his next work will be something that ties all of his films together over the “distance” of his filmography and career, thus far.

      17. Very much so, and I wonder if that will happen with his future films. Did Suzume have that distance aspect in the narrative?

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